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Download Critical Race Theory and Copyright in American Dance: by Caroline Joan S. Picart PDF

By Caroline Joan S. Picart

the hassle to win federal safeguard for dance within the usa was once a racialized and gendered contest. Picart lines the evolution of choreographic works from being federally non-copyrightable to turning into a class probably copyrightable lower than the 1976 Copyright Act, particularly reading Loíe Fuller, George Balanchine, and Martha Graham.

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